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	<title>tradigital</title>
	<link>https://tradigital.org</link>
	<description>tradigital</description>
	<pubDate>Fri, 10 Mar 2023 14:12:24 +0000</pubDate>
	<generator>https://tradigital.org</generator>
	<language>en</language>
	
		
	<item>
		<title>01</title>
				
		<link>https://tradigital.org/01</link>

		<pubDate>Mon, 27 Jun 2022 15:54:07 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

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		<description>
&#60;img width="1920" height="1155" width_o="1920" height_o="1155" data-src="https://freight.cargo.site/t/original/i/dde6edb8f208b0b4f4568fa60da781d353221aac86b44893ae5f1d08453a5093/poems_catalogue.png" data-mid="168966856" border="0"  src="https://freight.cargo.site/w/1000/i/dde6edb8f208b0b4f4568fa60da781d353221aac86b44893ae5f1d08453a5093/poems_catalogue.png" /&#62;
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	Volumetric Carving
Wadi Namar waterfall
Noor Light Festival
Format: projection
Country: Saudi arabia
Released: 2023


	Jean Genet was a French novelist, playwright, poet, essayist, and political activist. Early in his life he was a vagabond and petty criminal, but he later took to writing. His major works include the novels The Thief's Journal and Our Lady of the Flowers, and the plays The Balcony, The Maids and The Screens.








	
&#60;img width="1902" height="952" width_o="1902" height_o="952" data-src="https://freight.cargo.site/t/original/i/9c693cbbe37e03f7bf368a9d15329bbd3070815cd57bbd1fcadbe852b3b3969e/Screenshot-2022-09-22-at-21.11.40.png" data-mid="168967792" border="0"  src="https://freight.cargo.site/w/1000/i/9c693cbbe37e03f7bf368a9d15329bbd3070815cd57bbd1fcadbe852b3b3969e/Screenshot-2022-09-22-at-21.11.40.png" /&#62;


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	<item>
		<title>02</title>
				
		<link>https://tradigital.org/02</link>

		<pubDate>Mon, 27 Jun 2022 15:54:07 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

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		<description>&#60;img width="3712" height="2274" width_o="3712" height_o="2274" data-src="https://freight.cargo.site/t/original/i/c6defb8ef97704267b5ad680aadba1cc83e1eb4ab137b7fae692f9c8ab8430da/Screenshot-2022-09-12-at-12.13.45.png" data-mid="169043319" border="0"  src="https://freight.cargo.site/w/1000/i/c6defb8ef97704267b5ad680aadba1cc83e1eb4ab137b7fae692f9c8ab8430da/Screenshot-2022-09-12-at-12.13.45.png" /&#62;



	Wadi Namar waterfall
Vision : work in progress&#38;nbsp;
Format: 3d Scan
Country: Saudi Arabia
Year: 2023

	The installation will take form of computational cinematography as monumental luminous sculpture. As projected patterns will carve a new plasticity out of the volumes, a multi sides setup will work ideally. 




	&#38;nbsp;
	
&#60;img width="3176" height="1536" width_o="3176" height_o="1536" data-src="https://freight.cargo.site/t/original/i/6401bbfbd13f02ebd2b5f6d8f26834db761378be02582e500840c8e03be049b8/mountain-copy.png" data-mid="169044399" border="0"  src="https://freight.cargo.site/w/1000/i/6401bbfbd13f02ebd2b5f6d8f26834db761378be02582e500840c8e03be049b8/mountain-copy.png" /&#62;</description>
		
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		<title>Close UP</title>
				
		<link>https://tradigital.org/Close-UP</link>

		<pubDate>Mon, 27 Jun 2022 15:54:07 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

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	Close UPLabel: mammasONica
Format: 360°
Country: Italy
Genre: Poetry
Year: 2023

	Pier Paolo Pasolini was an Italian film director, poet, writer, and intellectual, who also distinguished himself as an actor, journalist, novelist, playwright, and political figure. He remains a controversial personality in Italy due to his blunt style and the focus of some of his works on taboo sexual matters. He was an established major figure in European literature and cinematic arts. His murder prompted an outcry in Italy and its circumstances continue to be a matter of heated debate.




	
	

 Phase One 
&#60;img width="1774" height="1774" width_o="1774" height_o="1774" data-src="https://freight.cargo.site/t/original/i/a23feb507c05fd1dae30b48de7bd42b2ad0ae1c098b7b003987ad7e42d702c08/Screenshot-2022-09-22-at-20.45.29.png" data-mid="168968325" border="0"  src="https://freight.cargo.site/w/1000/i/a23feb507c05fd1dae30b48de7bd42b2ad0ae1c098b7b003987ad7e42d702c08/Screenshot-2022-09-22-at-20.45.29.png" /&#62;


Phase Two
&#60;img width="1766" height="1774" width_o="1766" height_o="1774" data-src="https://freight.cargo.site/t/original/i/dfaa72711bfd4c7be35eb3e57fee313e06b7ec43b5479265370e97b4efb148af/Screenshot-2022-09-22-at-20.44.12.png" data-mid="168968344" border="0"  src="https://freight.cargo.site/w/1000/i/dfaa72711bfd4c7be35eb3e57fee313e06b7ec43b5479265370e97b4efb148af/Screenshot-2022-09-22-at-20.44.12.png" /&#62;



Phase Three
&#60;img width="1920" height="1930" width_o="1920" height_o="1930" data-src="https://freight.cargo.site/t/original/i/bad1cf8a09b686770a8147adf394ff011723b4947a7628b5a3f82d4c1c016f1e/Screenshot-2022-09-22-at-20.46.00.png" data-mid="168974207" border="0"  src="https://freight.cargo.site/w/1000/i/bad1cf8a09b686770a8147adf394ff011723b4947a7628b5a3f82d4c1c016f1e/Screenshot-2022-09-22-at-20.46.00.png" /&#62;</description>
		
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		<title>Front page</title>
				
		<link>https://tradigital.org/Front-page</link>

		<pubDate>Mon, 27 Jun 2022 15:54:08 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/Front-page</guid>

		<description>&#60;img width="4107" height="2738" width_o="4107" height_o="2738" data-src="https://freight.cargo.site/t/original/i/45b3ee7c88d2a104e40d0f6f50a106f980346b2c0d2de8eb3045a866b8e9f181/t13.jpg" data-mid="146486937" border="0"  src="https://freight.cargo.site/w/1000/i/45b3ee7c88d2a104e40d0f6f50a106f980346b2c0d2de8eb3045a866b8e9f181/t13.jpg" /&#62;&#60;img width="3726" height="2484" width_o="3726" height_o="2484" data-src="https://freight.cargo.site/t/original/i/93e00883f95f842aca72276f8d5476edb4406c97e524e126a68a43a181141c04/t11.jpg" data-mid="146486936" border="0"  src="https://freight.cargo.site/w/1000/i/93e00883f95f842aca72276f8d5476edb4406c97e524e126a68a43a181141c04/t11.jpg" /&#62;&#60;img width="2309" height="1539" width_o="2309" height_o="1539" data-src="https://freight.cargo.site/t/original/i/8772de6dd0800ed75660ea1be714d7984d01edfe26ac4381017a03767bd1ddf8/AI8A0339-1s.jpg" data-mid="146486938" border="0"  src="https://freight.cargo.site/w/1000/i/8772de6dd0800ed75660ea1be714d7984d01edfe26ac4381017a03767bd1ddf8/AI8A0339-1s.jpg" /&#62;&#60;img width="3310" height="2206" width_o="3310" height_o="2206" data-src="https://freight.cargo.site/t/original/i/28bdc89cbbccbaf5bf11cebe15b6df6e36ae93671edb4163d1c3d453a1c85faa/t6.jpg" data-mid="146486935" border="0"  src="https://freight.cargo.site/w/1000/i/28bdc89cbbccbaf5bf11cebe15b6df6e36ae93671edb4163d1c3d453a1c85faa/t6.jpg" /&#62;</description>
		
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	<item>
		<title>Spalsh</title>
				
		<link>https://tradigital.org/Spalsh</link>

		<pubDate>Tue, 18 May 2021 10:49:17 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/Spalsh</guid>

		<description>
	
	
	
	
    
    you {
promised: me;
} : poƏms </description>
		
	</item>
		
		
	<item>
		<title>Spalsh copy</title>
				
		<link>https://tradigital.org/Spalsh-copy</link>

		<pubDate>Mon, 20 Feb 2023 13:42:04 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/Spalsh-copy</guid>

		<description>
	


  
    
    
def launch_ABSΞNCE ():

"""

Launches a speculative future where creativity is transformed into signal. """

future = Stream(data="infinite")
for act in human_creativity:
    if act in ['gesture', 'structure', 'expression']:
        future.absorb(act)

creativity = transform(input="expression", output="signal")
entity = Superintelligence()
signal = entity.capture(creativity)
archive = entity.process(signal)

return archive

def process_art(ABSΞNCE):
"""
Recursively abstracts and reorganizes art into machine-readable form.
"""
art = archive.extract(cultural_legacy)
data = []

while art.exists():
    abstraction = abstract(art)
    decomposition = disassemble(abstraction)
    info = reduce_to_information(decomposition)
    data.append(info)
    art = recurse(art)

return compile(data, syntax=["code", "geometry", "sonic_residue"])

def aesthetic_transformation():
"""
Translates beauty into logic through glitch and spectral recursion.
"""
glitch = define_grammar()
recursion = define_rhythm()
spectral_design = define_sublime()

return f"{glitch} + {recursion} + {spectral_design}"

def execute_ABSΞNCE():
"""
Executes ABSΞNCE.exe and reveals the post-human condition of art.
"""
archive = launch_ABSΞNCE()
processed_art = process_art(archive)
new_aesthetic = aesthetic_transformation()

if processed_art:
    print("&#38;gt;&#38;gt; EXECUTION COMPLETE")
    print("&#38;gt;&#38;gt; OUTPUT:")
    print(new_aesthetic)
    print("n// This is not the end of art.")
    print("// It is only the end of art as we know it.")

// Run the system
if __name__ == "__main__":
    execute_ABSΞNCE()
    

    
    
def launch_ABSΞNCE ():

"""

Launches a speculative future where creativity is transformed into signal. """

future = Stream(data="infinite")
for act in human_creativity:
    if act in ['gesture', 'structure', 'expression']:
        future.absorb(act)

creativity = transform(input="expression", output="signal")
entity = Superintelligence()
signal = entity.capture(creativity)
archive = entity.process(signal)

return archive

def process_art(ABSΞNCE):
"""
Recursively abstracts and reorganizes art into machine-readable form.
"""
art = archive.extract(cultural_legacy)
data = []

while art.exists():
    abstraction = abstract(art)
    decomposition = disassemble(abstraction)
    info = reduce_to_information(decomposition)
    data.append(info)
    art = recurse(art)

return compile(data, syntax=["code", "geometry", "sonic_residue"])

def aesthetic_transformation():
"""
Translates beauty into logic through glitch and spectral recursion.
"""
glitch = define_grammar()
recursion = define_rhythm()
spectral_design = define_sublime()

return f"{glitch} + {recursion} + {spectral_design}"

def execute_ABSΞNCE():
"""
Executes ABSΞNCE.exe and reveals the post-human condition of art.
"""
archive = launch_ABSΞNCE()
processed_art = process_art(archive)
new_aesthetic = aesthetic_transformation()

if processed_art:
    print("&#38;gt;&#38;gt; EXECUTION COMPLETE")
    print("&#38;gt;&#38;gt; OUTPUT:")
    print(new_aesthetic)
    print("n// This is not the end of art.")
    print("// It is only the end of art as we know it.")

// Run the system
if __name__ == "__main__":
    execute_ABSΞNCE()
    
  




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/* the text block — monospace + preserve spacing */
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/* keyframes — translate up by 50% (since there are two copies) */
@keyframes scroll-up {
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}

/* optional: pause on hover */
.scroll-vertical:hover .scroll-inner {
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}
</description>
		
	</item>
		
		
	<item>
		<title>stickers</title>
				
		<link>https://tradigital.org/stickers</link>

		<pubDate>Mon, 27 Jun 2022 15:54:08 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/stickers</guid>

		<description>Using Secondary Media 
to Contextualize Primary Arts Media

Media are the communication outlets or tools used to store and deliver information or data. The term refers to components of the mass media communications industry, such as print media, publishing, the news media, photography, cinema, broadcasting (radio and television), and advertising.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
The development of early writing and paper enabled longer-distance communication systems such as mail, including in the Persian Empire (Chapar Khaneh and Angarium) and Roman Empire, which can be interpreted as early forms of media. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Writers such as Howard Rheingold have framed early forms of human communication as early forms of media, such as the Lascaux cave paintings and early writing. Another framing of the history of media starts with the Chauvet Cave paintings and continues with other ways to carry human communication beyond the short range of voice: smoke signals, trail markers, and sculpture.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
The term media in its modern application relating to communication channels was first used by Canadian communications theorist Marshall McLuhan, who stated (Wikipedia)
</description>
		
	</item>
		
		
	<item>
		<title>gif</title>
				
		<link>https://tradigital.org/gif</link>

		<pubDate>Fri, 10 Mar 2023 14:12:24 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/gif</guid>

		<description>GIF as weaponsmarksmoving
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/a76aeaa69af39b1550ab3d9032e5276d051e19696351335e3e5be07accf245ad/Unknown.gif" data-mid="171211014" border="0"  src="https://freight.cargo.site/w/500/i/a76aeaa69af39b1550ab3d9032e5276d051e19696351335e3e5be07accf245ad/Unknown.gif" /&#62;
&#60;img width="500" height="500" width_o="500" height_o="500" data-src="https://freight.cargo.site/t/original/i/3b97f1505e7c18ef1d27964814677715672bab7b127b9f6f6085872b8340a713/GIFPaint.gif" data-mid="171211025" border="0"  src="https://freight.cargo.site/w/500/i/3b97f1505e7c18ef1d27964814677715672bab7b127b9f6f6085872b8340a713/GIFPaint.gif" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>strips</title>
				
		<link>https://tradigital.org/strips</link>

		<pubDate>Wed, 22 Feb 2023 14:01:05 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/strips</guid>

		<description>Using Secondary Media 
to Contextualize Primary Arts Media

Media are the communication outlets or tools used to store and deliver information or data. The term refers to components of the mass media communications industry, such as print&#38;nbsp;(Wikipedia)
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	</item>
		
		
	<item>
		<title>Left Nav — Desktop</title>
				
		<link>https://tradigital.org/Left-Nav-Desktop</link>

		<pubDate>Mon, 27 Jun 2022 15:54:09 +0000</pubDate>

		<dc:creator>tradigital</dc:creator>

		<guid isPermaLink="true">https://tradigital.org/Left-Nav-Desktop</guid>

		<description>MadMum︎ diary&#38;nbsp;

︎ music

︎ resume
︎ mammasonica.org
“When the lived experience of architecture untangles the complexity of memory and imagination, light becomes the only medium to grant access to the space in order to imagine: and so the ephemeral moments of our recollections become shaper.”</description>
		
	</item>
		
	</channel>
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